653 Chenery Street
in San Francisco's Glen Park neighborhood

1-415-586-3733
[email protected]

Open to walk-in trade and browsing
Tuesday to Sunday
noon to six

 

Live Streams every weekend!
Refresh your browser
to catch a show in progress!
Visit our Facebook page or
YouTube channel!

But nothing beats being in the room
with the music & the musicians!

Saturday jazz club! when lights are low…
June 18th, 7:30-10pm: The Ways & Means Committee

Before heading out to Europe with Idris Ackamoor and the Pyramids this summer, bassist Heshima Mark Williams gets in another session with the Ways & Means Committee, a project of three horn players whose vocations are in medicine and business, but whose hearts are in jazz — two are on board for this date: Dr. Gary Bean on trumpet and flugelhorn and Michael Bush on alto sax.

The Ways & Means Committee — trumpeter Gary Bean and alto player Michael Bush, with a a superb rhythm section — Art Khu on piano, Heshima Mark Williams on bass and Ele Howell on drums — is joined tonight by tenor player D’Armous Boone, subbing for previously scheduled Howard Wiley, himself standing in for WMC core member Dr. David Farrazares, who can’t make the gig either.

Mark Williams with Ways and Means

Gary Bean, trumpet; David Ferrazares, tenor sax; Heshima Mark Williams, bass; Art Khu, piano; Ele Howell, drums – Bird & Beckett, Aug. 15, 2015. photo (c) Angela Bennett.

 

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The Bird & Beckett Cultural Legacy Project

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.

https://www.independentmusiciansalliance.org/

Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site

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