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  • The Cuban Drumbeat, by Piero Gleijesis - $15.00
    In waging a long war against oppression and misery in the third world, Castro's Cuba sent more troops into battle on foreign soil in defense of besieged populations than all but the U.S., Russia and a few Western European countries. Gleijeses wonders what's next for a post-Castro Cuba. […]
  • Two Underdogs and a Cat, by Slavenka Drakulic - $17.00
    Drakulic, well known to readers of The Nation, the New York Times and the New York Review of Books, ponders the fate of the communist idea through three stories: "An Interview with The Oldest Dog in Bucharest," "A Guided Tour of the Museum of Communism" and "A Cat Keeper in Warsaw" […]
  • The Idea of Communism, by Tariq Ali - $15.00
    "What Was Communism" series editor Ali ponders the over-arching question, and argues for a new form of socialism and global planning. […]
  1. jazz in the bookshop- fourth fridays

    December 20, 2011 by Eric

    Jazz in the bookshop

    a tradition in the neighborhood
    every Friday evening since 2002

    Kids always welcome & always free!
    $10 suggested donation per adult

    This Friday, February 3rd, it’s Don Prell’s Seabop Ensemble, featuring series stalwart Don Prell, a Los Angeles native who started his jazz career in the 1950s and was soon a core member of Bud Shank’s renowned quartet — traveling internationally and recording albums on Pacific Jazz, Contemporary and other key record labels associated with the “West Coast Jazz” of the late 50s and early 60s. 

    On the first Friday of each month at Bird & Beckett, Don shanghais a seasoned crew of jazz pros, drawing from a pool of talent unmatched by any city in the country outside of New York… Tonight, you’ll hear the powerful & lyrical tenor player Jerry Logas, young bop titan Michael Parsons on piano, and Ulf Bjorkbom, Swedish wonder of the high seas, swinging at the skins…

    On subsequent Fridays of each month, it’s Jimmy Ryan’s Quintet on the second Friday, a quartet with Chuck Peterson, Scott Foster, Don Prell and Ron Marabuto on the third Friday, and The Chuck Peterson Quintet on the fourth Friday.  And so it goes!  Anytime we enjoy the luxury of a fifth Friday, we invite in a special guest — in March, it’ll be bassist Dave Parker and his quintet, a high octane group with its roots in late evening Friday nights at the old Red Rock Lounge, which preceded Le P’tit Laurent down at the corner.

    Always a good time at Bird & Beckett!  Meet your friends here & enjoy the music!

    Glen Park local Bill Maginnis sitting in with the regulars on a recent Friday evening. Bill started his professional career at age 14, and had to get a permit from the ABC, since he was well underage, in order to play jobs at the Yreka Inn, aka "The Snake Pit". Along the way, he's played with everyone from John Cage to Peanuts Hucko, Wingy Malone & Wild Bill Davidson.

    A little history of the scene…

    Back in late 2002, tenor player Chuck Peterson proposed that he’d make sure we had good musicians every week if we’d just promise to make the venue available.  We took him up on his offer and he made good– recruiting bassist Don Prell and guitarist Scott Foster and adding more players along the way, many of whom have become fixtures on the scene.

    Meanwhile, vocalist Dorothy Lefkovits found her way to the shop with guitarist Henry Irvin and drummer Jimmy Ryan for a monthly Sunday session.  Jimmy was quickly added to the Friday roster to fill out the basic working unit there, and when we lost Henry a few years back, Dorothy became a regular on the Friday nights as well.

    The band grew to eight pieces on occasion in the old store, and eventually we settled on the current rotation of four groups — Don Prell brings in his “Seabop Ensemble” on the first Friday of the month; Jimmy Ryan brings in a quintet on the second Friday; Scott, Don and Chuck with drummer Ron Marabuto take the third Friday; and Chuck leads his own quintet on the fourth.  All in all, a smash success that’s going strong.

  2. Support the BBCLP

    December 7, 2011 by Eric

    Your support is what makes it work!

    The community that’s grown up around Bird & Beckett has been a delight to be part of.  Glen Park has been hugely supportive of the bookshop and our programs.  As individuals, you’ve helped by buying books, of course– and also by coming to the shows and underwriting the cost of putting them on.

    For many years now, this community has been providing a sweet venue, a welcoming and appreciative environment and generous monetary support to writers, musicians and other performing artists by way of Bird & Beckett.  We can all be very proud of that fact!

    Friends of the bookshop helped us establish a 501(c)3 nonprofit several years ago — the “Bird & Beckett Cultural Legacy Project” — which is charged with accomplishing the cultural programming that we do.  And individuals can take a full tax deduction for any direct contributions they make to the organization.

    Between the individual donations you make, the money folks put in the “kitty” at the shows and a few small grants, we’ve been able to fund an ambitious schedule of programs.  That money also helps defray the rent on the shop and pays for some advertising and publicity.  All told, the establishment and funding of the nonprofit has been a boon to us and to the community.

    If you see the value in what we’re doing, and can see your way clear to invest in our efforts, please send a check made out to the “BBCLP” or use the donate button on the upper left side of this page to donate by credit card.

    With your help, we’ll continue to bring fine writers, musicians and other performing artists into the shop so that they can connect directly with you in the intimate neighborhood venue that is Bird & Beckett.

    We want you to consider the shop an extension of your living room.   Invite your friends to share the experience and let us help you entertain them!

    Thanks for supporting our efforts– and, especially, thanks for supporting the living culture that makes San Francisco such a special city to live in.

  3. Jazz in the bookshop / patchen

    October 31, 2011 by Eric

    Friday, November 4 – double date!

    jazz in the bookshop
    + the jazz of poetry:
    a Kenneth Patchen Moment

    Seabop rides the waves

    and then, Jonathan Clark reads
    from the poems of Kenneth Patchen
    while Don Prell lays down a bass line

    Every week, the neighborhood gathers for a long running jazz party we’ve hosted since late 2002– now, as we enter our tenth year of Friday jazz sessions, it’s got a life of its own for sure, and at the heart of it all is bassist Don Prell, who assembles a terrific ensemble on the first Friday of each month to play some of that west coast bebop we love so much… he calls his band the Seabop Ensemble, and it’s always a fine thing. If you want to meet the neighbors, there’s no better place to do it than at Bird  & Beckett on a Friday evening…

    And tonight, we’ve got something extra, when the regular session concludes… The folks at Kelly’s Cove Press, a new local publishing operation offering some dazzling literary gems in book form, have just put out Kenneth Patchen: A Centennial Celebration gathering some of the iconic poet’s best work.  Once the drummer has packed his kit and the band has had a chance to quaff a glass of wine, editor Jonathan Clark, who was close to Patchen and his wife from the ’60s forward, will take the stage to read some of the man’s lovely poems to a jazz bass line laid down by none other than Don Prell…

    Kenneth Patchenwas one of the most prolific American poets of  his time. Born in Niles, Ohio in 1911, Patchen attended school at the University of Madison-Wisconsin where he met his wife, Miriam Oikemus. They moved to Greenwich Village and befriended many writers including E.E. Cummings, Anais Nin, and Henry Miller. In 1950, he and Miriam moved to San Francisco. Patchen’s love poems to Miriam are among the finest ever penned by a writer. Patchen passed away in 1972, but has never left us.

    His “experimental protests” in poetry, painting, and prose remain unprecedented.  He’s a poet dear to the heart of legions of San Francisco poets, and his “picture poems” — humorous, ascerbic, ironic, and heartfelt — comprise, in all their apparent naivete, an irrefutable tribute to the genuine goodwill we extend to each other despite the strife and trials that always seem to surrounds us.

    In San Francisco clubs in the 1950s, Patchen’s experiments combining poetry performance and jazz blazed the way to a natural symbiosis of expression, embraced and extended with unabashed enthusiasm by the likes of ruth weiss, David Meltzer, Lawrence Ferlinghetti, Jack Kerouac and so many others. Celebrate the intersection of jazz and poetry this Friday at Bird & Beckett, and you’ll know why we’ve consider that nexus to be at the heart of what we’re all about.