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  • AMERARCANA 2012: A Bird & Beckett Review - $15.00
    The Third Annual, featuring the words of Bill Berkson, Justin Desmangles, Joanne Kyger, Rodrigo Lira (translated by Rodrigo Olavarría & Thomas Rothe), Duncan McNaughton, Jackson Meazle, David Meltzer, Sarah Menefee, Jason Morris, Jeffrey Joe Nelson, Erik Noonan, Cedar Sigo, Will Skinker, Tisa Walden & the editor Nicholas James Whittington, with artwo […]
  • The Cuban Drumbeat, by Piero Gleijesis - $15.00
    In waging a long war against oppression and misery in the third world, Castro's Cuba sent more troops into battle on foreign soil in defense of besieged populations than all but the U.S., Russia and a few Western European countries. Gleijeses wonders what's next for a post-Castro Cuba. […]
  • Two Underdogs and a Cat, by Slavenka Drakulic - $17.00
    Drakulic, well known to readers of The Nation, the New York Times and the New York Review of Books, ponders the fate of the communist idea through three stories: "An Interview with The Oldest Dog in Bucharest," "A Guided Tour of the Museum of Communism" and "A Cat Keeper in Warsaw" […]
  1. Lynn Bonfield – Ventresco/Axelrod/Eggers – Tom Church/Dan Brady

    May 20, 2012 by Eric

    Sunday, May 20 – 2:00 pm

    The Rix Journal:
    Small-Town Vermont to
    Gold Rush era San Francisco

    Historian Lynn Bonfield discusses the document and her work

    Lynn BonfieldLynn Bonield, former director of the San Francisco Labor Archives, now divides her time between Glen Park and Peachham, Vermont, where she was first drawn by the story of the Rix family — having chanced in 1972 upon the unique Gold Rush era journal of husband and wife Alfred and Chastina Rix among uncatalogued materials in the stacks at the San Francisco Historical Society.  The journal has just recently been beautifully published as New England to Gold Rush California: The Journal of Alfred and Chastina W. Rix, 1849-1854, edited with commentary by Lynn, from the Arthur W. Clark Co. imprint of the Unversity of Oklahoma Press.

    Beginning on their wedding day in Peacham on July 29, 1849, Alfred and Chastina kept a dual journal, alternating the task of bringing it up to date each day with revealingly intimate reflections as well as a simple record of their daily life together.  Like many Eastern men of the time, Alfred soon got the gold bug and came west in late 1851 to seek fortune; Chastina stayed behind for a year with their newborn, then followed with the child in the spring of 1853.  The journal first stayed with her in Peacham, giving us a vital picture of the life of a woman with child left behind by an adventurer drawn to the promised land of California.  When she travels to California, the journal travels seperately with a shipment of household effects; and in her final Peacham entry she notes that if that shipment never arrives in San Francisco, this record  too would be lost.  But indeed, she and their son reach San Francisco in February 1953 after 34 days of travel, and the household effects and journal arrive several months later, in May, so that the couple is able to continue their habit of dual, alternating daily entries in San Francisco – at least until first Alfred and then Chastina lose interest in continuing it about a year later.  Within another three years, Chastina is suddenly dead, just ten months after their second son’s birth.  A single concluding entry is made by Alfred several months after her death before he moves on with his life.

    Lynn has done a masterful job of editing this beautiful book, which presents the entire journal with clarifying footnotes and insightful accompanying commentary.  An exciting journal and a prodigious accomplishment of scholarship.  Please join us!

    Read more on Lynn’s blog at:  http://bonfield-lynn.blogspot.com/

      Sunday, May 20 – 4:30-6:30 pm

    Craig Ventresco
    Meredith Axelrod
    Marty Eggers

    popular music of the jazz age

    which way west? Sunday concert series
    all ages welcome.
    your donations help us pay the band!

    Craig Ventresco and Meredith Axelrod appear with bassist Marty Eggers at Bird & Beckett Books, San FranciscoTunes of the ragtime & vaudeville era played by three string players soaked in the atmosphere of the time — each an expert practitioner of this turn-of-the-century American music. 

    Craig is a uniquely talented guitarist – known by fellow guitar and old-time music practitioners internationally for his ear for the intricacies of the music of that bygone era, for his melodic skill, and for his intense rhythmic drive.  His duo with Meredith is heard regularly at Cafe Divine in San Francisco’s North Beach, and with uncanny ease she thoroughly inhabits the music with her vocals and guitar work. 

    As for Marty, he’s a stalwart bassist in traditional music circles on the west coast and further afield, and dates his association with Craig back to the trio called Bo Grumpus, which they formed  in 1988 when Craig first moved out to San Francisco from Maine.

    Monday, May 21 – 7:00 pm

    Tom Church & Dan Brady

    POETS!

    PLUS AN OPEN MIC
    1st & 3rd Monday of each month, Hosted by Jerry Ferraz/

    Tom is an underground filmmaker and a writer who transgresses the boundaries of “good taste” as a matter of course.  Dan is a slightly sardonic commentator on the less reasonable temdencies of the society that inhabits us.  You? you’re the poet in the open mic, free to do what you want — within our somewhat proscribed time limits.  As for Jerry Ferraz, the long-time host and organizer of our twice monthly series, he’s one of a kind — a San Francisco native with a very old, and very well traveled soul.

  2. John Trudell + Hindustani Classical Music

    April 17, 2012 by Eric

    Sunday, April 22 – 2 pm

    John Trudell
    Poet, Musician, Activist

    John Trudell is an acclaimed poet, national recording artist, actor and activist, with an international following that reflects the universal language of his words, work and message.

    Today at Bird & Beckett, he’ll read poems and lyrics collected in his book Lines from a Mined Mind.

    Trudell (Santee Sioux) was a spokesperson for the Indian of All Tribes occupation of Alcatraz Island from 1969 to 1971. He worked with the American Indian Movement (AIM), serving as Chairman of AIM from 1973 to 1979. In February of 1979, a fire of unknown origin killed Trudell’s wife, three children and mother-in-law. It was through this horrific tragedy that Trudell began to find his voice as an artist and poet, writing, in his words, “to stay connected to this reality.”

    In 1982, Trudell began recording his poetry to traditional Native music and in 1983 he released his debut album Tribal Voice on his own Peace Company label. Trudell then teamed up with the late legendary Kiowa guitarist Jesse Ed Davis. Together, they recorded three albums during the 1980′s. The first of these, AKA Graffiti Man, was released in 1986 and dubbed the best album of the year by Bob Dylan. AKA Graffiti Man served early notice of Trudell’s singular ability to express fundamental truths through a unique mix of poetry, Native music, blues and rock. Since that time, Trudell has released seven more albums plus a digitally re-mastered collection of his early Peace Company cassettes. His 2002 CD, Bone Days, was executive produced by Academy Award winning actress Angelina Jolie and released on the Daemon Records label.

    His latest double album, Madness & The Moremes, showcases more than five years of new music and includes special Ghost Tracks of old favorite Trudell tunes made with legendary Kiowa guitarist Jesse Ed Davis. This internet only release offers a full range of classic Trudell poetry – there are lyrics filled with penetrating insight and others with knock out humor, all put to some of the best music Bad Dog has ever made together. Madness and The Moremes is available now on www.johntrudell.com

    In addition to his music career, Trudell has played roles in a number of feature films, including a lead role in the Mirimax movie Thunderheart and a major part in Sherman Alexie’s Smoke Signals. He most recently played Coyote in Hallmark’s made for television movie, Dreamkeeper.

     

    Same day, Sunday, April 22 – 4:30-6:30 pm

    Mallar Bhattacharya
    + Ferhan Qureshi
    sarode and tabla
    Hindustani Classical Music

    which way west?
    Sunday concert series
    all ages welcome

    your donations enable us
    to pay the musicians

    View a performance by Mallar and Ferhan by clicking on this link

    Mesmerizing music developed over centuries of cultural refinement in North India, performed by two highly skilled practitioners of their arts.

    Mallar Bhattacharya is a student of the instumental and vocal music of the Acharya Baba Allauddin Seni gharana of Maihar and Rampur, India. Mallar began his musical training at the age of three, learning both Western and Hindustani violin from his father Dr. Jahar Bhattacharya, a viola student of Ustad Ali Akbar Khan. After taking regular lessons from Ustad Aashish Khan in high school, Mallar was inspired to focus on the sarode as he began his undergraduate studies in Boston. Now a medical student in Boston, Mallar has been learning regularly for several years from Dr. George Ruckert, senior disciple of Ustad Ali Akbar Khan, and he continues to study with Aashish Khan several times a year. Mallar has also spent two summers of dedicated study at Ali Akbar College of Music in San Rafael, California, learning from Ustad Ali Akbar Khan.

    Ferhan Qureshi is one of the most in-demand tabla players in the San Francisco Bay Area, and performs internationally on the instrument.  He is a senior disciple of the tabla maestro, Ustad Abdul Sattar Tari Khan, universally recognized as one of the foremost tabla players performing today. Ustad Tari Khan learned tabla from Miyan Shuakat Hussain Khan, the most celebrated tabla nawaz (performer) in Pakistan’s musical history.

    Prior to studying with Ustad Tari Khan, Ferhan took his initial lessons in Hindustani music theory and practice with Surrinder Mann Singh (a senior disciple of the late Ustad Allah Rakha).  Ferhan studies the Punjab gharana of classical tabla which both of his teachers represent. Primarily performing the tabla lehara (tabla solo), Ferhan Qureshi has also accompanied numerous distinguished classical artists both in the United States and in Pakistan, including: (Vocalists) UstadShafqat Ali Khad, Ustad Latafat Ali Khan, Ustad Sukhawat Ali Khan, Ustad Altaff Hussain, Riffat Sultana, Rita Sahai, Shri Mukesh Desai, and Tina Mann, (Instrumentalists) Ustad Habib Khan, Ghulam Farid Nizami, Asad Qizilbash, Srinivas Reddy, Parag Chordia, Nasir Syed, Dr. Waheed Siddiqui, Josh Feinberg, Arnab Chakravarty, among others and (Kathak dancers) Farah Sheik and Sonia Mann.

    Although his primary focus is classical and traditional music, over the years Ferhan has also collaborated and/or performed with numerous organizations and artists in modern applications of the tabla, including the Dhamaal Artist Collective, (for which he is a founding member), The Lines Ballet, Non-Stop Bhangra, and Dj ChebiSabaah, among others.  Ferhan currently is the Director of Artist Management at Bol Records and is diligently working towards the promotion of traditional Pakistani and Indian music in the Bay Area.